'Barbarism is the natural state of mankind,' the borderer said, still staring somberly at the Cimmerian. 'Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph.'

-Robert E. Howard
Beyond The Black River

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Showing posts with label Robert E Howard. Show all posts
Showing posts with label Robert E Howard. Show all posts

Monday, January 28, 2019

Conan 2d20: Narrative Combat Spends

One of the great parts of Conan and 2d20 is succeeding by measure. The ability to not just succeed but succeed WELL is a narrative gold mine! The base rules have a table of momentum spends for action scenes on pg. 118. A more experienced player with the system will probably be able to look at that table and come up with narrative descriptions for each action and use them to craft a description of their attack. But what about that player with less experience, or one that is shy and has trouble coming up with those things? Below that table is a line that states, "These are in addition to the normal uses of momentum and any others that the players or game master create for themselves."

Like many things in 2d20 they have left it open for us as the players to build upon what they have already done, and so we come to what this article is about: Descriptive combat spends, things like spinning sword slashes, kicks to the chest, shoulder checks and the list goes on and on. So pull up a chair, watch some sword & sorcery movies and read some sword & sorcery books, and lets make up some cool moves for your players to plug into their combat encounters.

We will start with the idea of how we might build some of these from the listed momentum spends and finish off with some ideas that I have come up with that I though would add a lot of narrative depth to your combat encounters.

First up we chain 2 momentum spends together and provide a basic description of what that might actually look like. It should give you a good idea of how you can generate some cool combat narration from the provided list

Chained Momentum Spends
Description
Penetration+Penetration
2m+2m
The sword slashes wildly at the beast before it's keen point is turned and stabbed easily through it's hide.
The razor edge of the sword cuts at the Vanir warrior, finding a weak point in his chain armor
Disarm+Swift Action
2m+2m
Conal deftly kicks the shield from the guards hands before his blade slashes at him.
Called shot+Damage
2m+2m
Sven swings his mighty axes catching the hyperborean square in his unprotected neck, blood gushes from the grievous wound.

Lets take this one step further with some of Howard's own words.....

Chained Momentum Spends
Description
Break Guard+Swift Action
2m+2m
But his return spring was like that of a starving wolf. He was inside the lashing arms and driving his sword deep in the monster's belly....
-REH, Beyond the Black River.
called shot+Penetration
2m+2m
A tall corsair, bounding over the rail, was met in midair by the Cimmerian's great sword, which sheared him cleanly through the torso, so that his body fell one way and his legs another.
--REH, Queen of the Black Coast.
Penetration + Damage
2m+2m
In the interim one of his comrades lifted a broadsword with both hands and hewed through the king's left shoulder-plate, wounding the shoulder beneath. In an instant Conan's cuirass was full of blood.
--REH, Phoenix on the Sword.


Going back to that table on page 118 and our basic momentum spends, we can get an idea of the approximate power of a momentum spend. Items like Disarm and Break Guard cost about 2 points of momentum. We also see my favorite spend, "Penetration". With it we are essentially putting the weapon trait "Piercing" on weapons that do not have it. This should give us a lot of fodder to move forward. Maybe we can add grapple or knockdown to the list? Vicious? Maybe!

I would have no problem adding the following to the table.

Knockdown
2
Gain the knockdown quality on your attack.
Stun
2
Gain the Stun quality on your attack

Some qualities are represented by talents, so we need to make them more expensive for people to use them, or the talents are pointless. For exampple, Killing Strike grants an additional wound for 2 momentum and Blood on Steel provides Vicious 1 for 1 momentum.

Intense
4
If you caused a wound, you may cause another wound.
Does not stack with Killing Strike.
Vicious X
2 R
Each 2M adds 1 point of vicious.
Does not stack with Blood on Steel.
Grapple
2
Gain the grapple quality on your melee attack
Grapple is counted as unarmed


And finally I present a table taking all of these ideas into account. This table builds on what we have in the core rules, adding basic narration seeds to a few basic spends. In addition to these we have used the idea of how chained spends might look together and mixed in our new ideas to come up more creative ways to spend your momentum. I hope you enjoy this idea and it helps bring loads of colorful combat to your table.

Description
Effect
Cost
Shoulder Bash!
Stun
2
Trip and Stab
Knockown+Penetration
+1 Doom to enemies next reaction
5
Kick to the chest
Break Guard+Stun
+1 Doom to enemies next reaction
5
Stab or cut at the joint
Penetration
1R
Recover from glancing blow
Re-roll damage dice
1
Twist blade in the wound
Add Vicious X
2R
Sand in the eyes!
Break Guard
2
Swing through a deadly arc
Secondary Target
2
Pommel strike
+2 damage+Stun
4
Head butt
Stun
2
Cleave the skull
Hit Location+Intense
6
Elbow to the Face
Stun, 1cd
+1 Doom to enemies next reaction
4
Hack and slash
Spend 2m to kill 1 minion.
4
Cleave through armor
Piercing 4
2
Slash/smash/stab
the
head/leg/arm/torso
Choose hit location
2


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Friday, January 18, 2019

Friday's Forgotten Fiends: The Jungle Crawler

Friday is here and that means another fiend from a time immemorial! Today I am going to introduce you to a giant creepy crawly, something that should make at least one of your players dread the fact they ever entered that jungle.

The Jungle Crawler


In the wild places across the world forgotten by man. In places that grow lush with life, deep jungles and dark forests, things grow large. Things that time has turned it's back on and allowed to thrive against natures best judgement. In these places dragons roam. But in these places things creep and crawl with hundreds of legs, dripping poison and death.

Today I introduce you to the Jungle Crawler, a giant centipede. Will it's pincers slice through your players armor, or will it's venomous tail inject it's death into them? Perhaps their incessant chittering drive your players mad as these things invade their camp in the night?

Here is is The Jungle Crawler in a toughened and minion variety, may they strike terror into your players.




I am also include a couple of tokens that you should be able to resize and use in your favorite VTT. Tokens created with Token Tool 2.0!



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Monday, January 14, 2019

The Weird West of Robert E. Howard: Old Garfield's Heart.

Continuing my look at the Weird West of Robert E. Howard I thought I would look at a few of the stories in depth. The first I have chosen is probably one of my favorites as well as being my introduction to Howard's work in this genre.

Old Garfield's Heart was first published in Weird Tales in December of 1933 and is generally labelled as a "Horror Story". I am not sure if I agree with that assessment, but I understand why it receives it. Either way it takes place shortly after the end of the Wild West, but for me falls squarely into the "Weird West" genre. The story is about an frontiersman, Old Garfield, that has lived as long as anyone can remember. The story is told through the eyes of an unnamed narrator who believe's the tales told by Old Garfield are nothing more than whims of fancy or tall tales. As I mentioned, the story takes place in a time that post-dates the Wild West by a few years, but it's central themes are from the 1870s.

As the story opens the narrator is waiting for the doctor so he can accompany him to check up on Old Garfield, and engaged in conversation with his grandfather. Despite Old Garfield's injuries, the grandfather doesn't believe he will die. We learn that the Grandfather and Old Garfield had been in a few fights together including fights with the Comanche. During one of these Old Garfield is grievously wounded and a medicine man mysteriously shows up and saves him.

The narrator travels with the doctor to check up on the mysterious Old Garfield. They find him injured, as we have been told, but he is delirious and tells us the story of how "Ghost Man" saved him and made him immortal.

After this the narrator ends up crossing paths with a local bully, Jack Kirby, over an argument about a cow that was bought. The narrator ends up nearly killing Jack, and ends up on an assault charge. The charge isn't nearly good enough for Jack. Once he has recovered he sets out to kill the narrator.

The narrator and Jack have their showdown at Old Garfield's place and we finally learn the truth.

Old Garfield's Heart is a fairly short story at about 3500 words, but in that we get action, adventure, mystery and a sprinkling of magic. The world Howard creates, through descriptions and dialogue, is almost tangible. In my opinion the amount of depth and flavor he achieved is amazing, especially given the amount of time he has to create it.

Robert E. Howard wrote a lot of fantastic stories set both in the modern world, the medieval world and worlds time has forgotten. These are all places of his imagination, perhaps well researched, but still not places he knew first hand. Stories like this are a little different, this world he has near first hand experience with. The setting is his own. The stories and tall tales from the old timers he loved to listen to. The narrator in this story could be Howard, a younger man talking to an old timer about the old days of the frontier.

If you are a fan of Howard's other characters, or if you are new to Howard in general, and are looking to try something new this is a great intro to some of his other works.

The story can be found on Gutenberg Australia at Old Garfield's Heart. I encourage you to take 10 minutes, give it a read and let me know what you think!

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Friday, January 11, 2019

Friday's Forgotten Fiends: The Gibbering Darkness

Today I want to revisit a creature I came up awhile ago. The concept of this thing was a creature that would assail PCs in Conan 2d20 and cause a wound to a Character. Why would you do such a thing? Sometimes drama and tension can be increased when the PCs feel threatened and there are times when they simply don't in Conan because of how competent that they can be. A mob of these attacking in the deep ruins will generally use it's point of doom to attack first and most likely injure someone before being vanquished. I wouldn't recommend using something like this all the time, but everything in your toolbox has it's place.

The Gibbering Darkness


In the deep ruins of time immemorial there are places, rifts to some black place, where darkness seeps into our world as formless shapes, seeking the life energy of our existence like a wild predator seeks its prey.

The Gibbering Darkness is darkness made manifest, shifting shadows on the wall. Dark places in the corner of your eye. As easily as the dark is vanquished these creatures can be returned from which they came. Do not forget that like the darkness these hide things that are both physically and mentally deadly.

Many an naive adventurer has been reduced to lifeless husk, or worse a mindless husk, as unsuspecting they walked into a forgotten place and were assaulted by the dark mindless gibbering of these things.


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Monday, January 7, 2019

The Search for Clues: How I approached Investigation in Conan 2d20

Introduction

Whenever I write a new adventure for my players I try and include things that are not simply hack and slash. Ways for members less adept at combat to shine and have a great time. I have worked with placing "Trials" into combat situations so the non-combat characters can contribute in a more meaningful way. I like the idea, but often my party tunnel vision's on monsters and villains and won't do anything else until they are vanquished. Generally what I want the trials to do, don't work in this situation.

In my last adventure I wanted the players to start their adventure arriving at an abandoned Asgard village. They would need to investigate the village and figure out what had likely happened and go forward with the adventure from there. Previously i've had things in the adventure that were available for players to find, maybe some ancient script on the wall that would reveal some deeper meaning to the dungeon they were in, add some more COOL to it. Nothing that really *NEEDED* to be found to progress.

With an investigation you want your players to look around and find clues, and then use those clues to draw conclusions about what they should do. If you make this difficult they might not find those clues and end up with no way to progress. What to do!? Well I, like you, went out to the Internet and read a few articles and watched a few videos on running investigative games. What I came up with is the idea that there should be some clues that are going to be found if the players walk into a place and do a cursory examination. These clues are the most basic information the players need to move forward with the plot. Other clues are there and can be found which will add information or a better path for the players.

The Clues

Since running the adventure I have had time to think about this methodology for investigation and might do a larger adventure with it, but until then I will tell you about how I broke down my clues. I felt each clue should have a few basic elements: where it could be found, what skill was used to uncover it, what difficulty it was, what was the result of finding it and what was the result of not finding it.

Finding & Using the Clues

I later decided that all clues should be found with an observation test, and once found a further test could be used to determine something useful from them. This way a player is always rolling against the same skill without the clue being hinted at. This will also allow the keen eyed character to find tracks and the expert tracker to follow them, allowing more non-combat team work for the party. ie A player makes a D1 Observation test to see the tracks, followed by a second D1 Survival test to learn about them. Of course common sense needs to be used, if the clue is a testimony from a dieing man, you probably don't need to find him.

There are times when you will want players to use a certain skill to gain knowledge about the clue, but what if they don't have that skill? Sometimes a secondary skill can be useful. If they found animal tracks, but don't have survival, you may want to allow them to use a skill like Observation, but probably with a higher difficulty.

Setting up the Clues

With this knowledge let's set up the clues following a set of five basic steps.
  1. Crime Scene: Describe what happened. This will give you a good founding of what went on in the scene and why clues are what and where they are. We see this all the time in detective and police shows, but from the other end, where the main characters have found clues and have pieced back together their version of the events that placed them there.
  2. Key Clues: Identify the key clues the players will need to find to lead them to the next phase of the adventure.
  3. Negative Effect Clues: Pick out things from the description that are key and build clues around them that might have negative consequences if not found.
  4. Informational Clues: Pick out further informational clues that have no real long term effect on the adventure.
  5. Red Herrings: Maybe a few clues scattered about to lead the players astray, and make things more difficult.
Step 1: Crime Scene.
Evening falls, and as most nights recently the village is huddled around their central fire pit for comfort and security. Something has been stalking them. Finally they hear a low growl as a giant cat appears on the edge of the fire light, with terror the villagers panic and run. Only the Shaman stands to stop the beast, striding forward he commands it to stop. He is struck down where he stands, as a giant claws tear through his flesh. The cat stalks the people while small dark humanoids chitter with glee as they pull down and bind villagers, the ones they do not capture escape into the cold night. The cat and the children of the night escape out towards the mountains, with the villagers for sacrifice by their Master on the coming Solstice. A light snow beings to fall..

Step 2: Key clues.
We know we need the players to find evidence that will lead them to the mountain. The easiest one is the tracks the cat and the little people leave behind, but with the commotion I think tracks might be harder to find, especially with the snow that had begun to fall. Instead we will see that the villagers have been stalked for sometime. Our first clue will be notes written by the chieftain about sending a party to the mountains and other similar information to make the players believe the mountain is important. We will place this note in the Chieftain's hut.

Clue
Location
Skill & Difficulty
Found
Not Found
Chieftain's Notes Chief's Hut Observ. D0 Notes describe The Chief's council with the village
shaman about omens in the mountains.
A party of warriors investigated and found
ruins of an ancient fortress inhabited by snow apes.
N/A

Players entering the hut and making a basic cursory look into the place will find this clue. It is possible they don't search all the huts and in the end don't find this clue and end up not knowing what to do. As much as I recognize this to be a possibility, I think players who have not found a plot hook and haven't searched all the huts deserve to be stumped a little bit. In short I think they should have to do something to get the clue, even if once that is done there is no dice rolled.

Step 3: Negative Effect Clues.
Now that we have this basic clue let's work from there. We know the cat and little people and villagers would leave tracks. We can make it more interesting by placing this clue in a few areas, maybe in the village where they are hard to find and outside the village where they are easier to find. If the players find this clue we should reward them, maybe give them a safer, faster way to the mountain fortress.

Clue
Location
Skill & Difficulty
Found
Not Found
Animal Tracks Outside the Village Observ. D1 ->
Survival D3
Observ. D5
Tracks of a large animal lead away.
Players use the easy passage through the ruins.
Players use the dangerous passage through the ruins.
Animal Tracks Inside the Village Observ. D1 ->
Survival D1
Observ. D3
Tracks are obscured by other tracks in the village
Tracks of a large animal lead away
Players use the easy passage through the ruins.
Players use the dangerous passage through the ruins.

We had a couple of other things happen in our description. One was the shaman being struck down. Perhaps he managed to drag himself to his hut and as the beast crashed in to finish the job, he managed to ward it off with some spell or alchemy? We can add clues to handle this as well.

Clue
Location
Skill & Difficulty
Found
Not Found
Blood Entrance to Village Observ. D1
Covered in snow
Blood stains in the snow.
Lead to Shaman's Hut
No effect.
Shaman Shaman's hut Auto find ->
Healing D1
Persuade D2
Tells of the battle with the cat &
solstice sacrifice.
Cat doesn't cause FEAR 1 when
the players encounter it.
+1M Gives the players a talisman
to ward off the cat.
On a failed test:
Shaman croaks a single word, "The Mountain."
and dies.
Star Charts Shaman's hut Observ. D1 ->
Lore D1
Observation D3
Shows how far away the solstice is.
Solstice is one day closer than previously determined.

Now we have three clues associated with the Shaman, one simply leads the players to him, and the others provide information and perhaps a little bit of advantage if the investigation here goes very well. I haven't included basic things such as claw marks on the body or the damage on the hut, but things like this should be improvised pretty easily based on your knowledge of what happened here.

Step 4: Informational Clues.
We also know there was struggles and villagers being bound and taken against their will. Players will probably make this assumption, especially based on other clues, but you can sprinkle a few things around the village to given them a deeper investigation.

Clue
Location
Skill & Difficulty
Found
Not Found
Bindings Next to one of the huts Observ. D1
Covered in snow
Iron shackles with arcane
glyphs.
No Effect
Small footprints Around village Observ. D3 -> Survival D2 One of the Children of the Night
erupts from the snow and attacks.
No Effect

Step 5: Red Herrings.
We know villagers ran off into the night from our look at the crime scene. We know not all were taken by the wizard. What happened to them?
Clue
Location
Skill & Difficulty
Found
Not Found
Blood West of the Village Observ. D1 ->
Observ. D2
Survival D1
Covered in snow
Blood stain leading southwest.
See BEAR ENCOUNTER if followed
No Effect

With a fairly simple crime scene description we are able to come up with 9 clues of varying merit, and at least one that will lead the characters the right direction. Hopefully this will give you some inspiration on ways to add clues and investigation into your own game. If you do I would love to hear how it worked out! Of course if you have other ideas or comments on this methodology please drop me a comment below.


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Wednesday, January 2, 2019

Conan: Issue #1 (2019) "The Weird of the Crimson Witch"

January 2nd 2019! I trust everyone had an excellent holiday season! Today will be back to work for a lot of us, myself included. At least today there is a bright point.


That's right! Today MARVEL publishes there first title of the newly re-acquired Conan license from Dark Horse. I have been excited for this since it was announced, not because I dislike Dark Horse, but because Marvel and the History of the Barbarian in this modern age go hand in hand. I have been waiting to see what the company that gave us the Savage Sword of Conan would give us.

So I got up this morning, made coffee and eggs and fired up Comixology and had a read.

Writer: Jason Aaron
Artist: Mahmud Asrar
Colorist: Matthew Wilson
Letterer: VC's Travis Lanham
Cover Artist: Esar Ribic

I've seen the cover and I've seen some of Asrar's work over on Instagram, which I encourage you to go and check out.

I enjoyed all of the art in the book; the cover is great and the interior art is excellent. I have seen some reviewers make comment about weird arm angles and such, but I didn't have anything jump out at me. I even went back through looking for it and couldn't find anything seriously bad that jumped out at me.

I had a moment of doubt early on, that perhaps these guys didn't know their stuff. During a fight Conan says he prays to Crom. I thought to myself, "Yes Conan says Crom quite a bit in the comics, but as a curse more than praying. We all know Crom doesn't listen and it's better to not call his gaze upon you. So having a panel where Conan says he prays to Crom, left me uncertain. It is quickly followed by this panel:

YES! I am in. One of my favorite panels from the book. Great. As much as the cover and interior art are important for a comic book, without a story it isn't going to be much of a comic. There has been fear by a certain subset of the community that believe Marvel will be politically correct in their new iterations of Conan, so far this is absolutely not the case. This is a good Conan yarn, complete with fighting, women, wine and sorcery. I won't go into great detail about the actual story because I don't want to ruin it for you.

What I will say is that I liked it. The story has lots of action and I feel it moved pretty well. There are several nods to the '82 film, even if they were unintentional, and it ended with a cliff hanger and left me wanting more.

Art:

Story:

Cover:

Sword & Sorcery:


4.5 out of 5 Skulls of My Enemies!

Bring on Issue #2!

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Thursday, December 20, 2018

Forgotten Creatures: The Dire Wolf.

The Dire Wolf


The dire wolf (Canis dirus, "fearsome dog") is an extinct species of the genus Canis. It is one of the most famous prehistoric carnivores in North America, along with its extinct competitor, the sabre-toothed cat Smilodon fatalis. The dire wolf lived in the Americas during the Late Pleistocene and Early Holocene epochs (125,000–9,440 years ago). The species was named in 1858, four years after the first specimen had been found. Two subspecies are recognized, these being Canis dirus guildayi and Canis dirus dirus. The dire wolf probably evolved from Armbruster's wolf (Canis armbrusteri) in North America. The largest collection of its fossils has been obtained from the Rancho La Brea Tar Pits in Los Angeles.

Wikipedia contributors. (2018, December 8). Dire wolf. In Wikipedia, The Free Encyclopedia. Retrieved 16:56, December 20, 2018, from https://en.wikipedia.org/w/index.php?title=Dire_wolf&oldid=872741641

We often see creatures taken out of time to populate the Hyborian Age. In Red Nails the dragon Conan defeats is described more like a dinosaur than the modern concept of a dragon. The core rulebook for the new 2d20 lists the Sabre-tooth cat, while the new release, "Horrors of the Hyborian Age", list creatures like cave bears and dire rhinoceros.

In actuality the size of the dire wolf and a regular wolf isn't that great, but this is the Hyborian age, so I think they should be scaled up to match the time.

Actual comparison of average sizes
Hyborian Age Sized

Canis Dirus (‬dire Wolf‭) Darren Pepper
http://www.prehistoric-wildlife.com/species/c/canis-dirus-dire-wolf.html

So I give to you my take on the dire wolf. A giant version of the wolves found within the pages of 2d20. This version is tougher, and can deal more damage than it's smaller cousins. It is simply more bad ass. Perhaps packs of these roam the frozen north of Nordheim or the vast steppe of Hyrkania. Either way a pack of these stalking your players should be enough to give them quite a challenge. I have included two versions of the dire wolf, a toughened version and the Alpha Dire Wolf.


I'll make note that I haven't had time to actually play test these yet, as I am building them for an upcoming adventure. If you do use them I would love to get feedback from how they worked out at your table. As always I love hearing from everyone, so if you have any feedback please drop me a note!

Until Next Time. Keep it Weird!

Tuesday, December 4, 2018

Momentum in Conan 2d20! A Basic Guide to Spending Momentum in the Hyborian Age!

As we have discussed in this article on momentum, Momentum is a measure of success and a way to see that things are going in favor of the party. The mechanics around it have had questions raised about how and when it can be spent. This largely comes from the term "Immediate", and the two sources of momentum, personal and pool. We, myself included, have read far too much into how this works. The following is how I understand momentum within the Conan 2d20 rules and up until this morning, I would have described it differently.

Let's start with a few basic definitions.
  • Generated Momentum - Momentum generated from a successful test.
  • Pool Momentum - Momentum stored from another players successful test.
  • Immediate Spend - Can be used at anytime. You do not need to have had a successful skill test to use this spend.
  • Regular Spend - Spent after a successful skill test.

What kind of momentum can we spend on a given test?

Immediate Spend Regular Spend
Generated
Momentum
X
X
Pool
Momentum
X
X

Yes that is right. Momentum is momentum and can be used interchangeably. The real difference in these two types of spends is WHEN you can use them, and that may limit where the momentum comes from.

Immediate Spend Regular Spend
Successful Test
X
X
Unsuccessful Test/
No Skill Test
X


There is one more distinction between Immediate Spends and Regular Spends.

Immediate Spend Regular Spend
Bought with Doom?
YES
NO


For Example: Immediate Spend, No Skill Test
The group has stored 3 momentum in the pool and Dianan wants to roll more than 2 dice to attack the skeleton opposing her. Dianan at this time has not made a skill test, and so the only spends available to her are Immediate Spends. Dianan doesn't have any Generated Momentum because she hasn't rolled any dice yet. She can pull from the group pool using the "Create Opportunity" momentum spend which is an Immediate Spend.

For Example: Immediate Spend, Unsuccessful Skill Test
The group has stored 6 momentum in the pool. Dianan attacks the skeleton nearest her but misses! Her vigor is sitting at 2 and so she decides to use the Second Wind momentum spend, which is listed as an Immediate Spend. Again she is unable to use any Generated Momentum, simple because her attack failed and she has none. She can still spend all 6 points of Pool Momentum.

For Example: Immediate Spend, Successful Skill Test
The group has stored 1 momentum in the pool. Dianan continues her attack on the skeleton! She hits it and does enough damage to destroy it, in addition she has 2 points of Generated Momentum from the attack. She decides to use a Swift Action spend with her Generated Momentum. Her second attack she decides to roll an additional D20 using the Immediate Spend, Create Opportunity, with the last point of Pool Momentum
NOTE: She could have used the 1 point of Pool Momentum + 1 point of Generated Momentum for the Swift Action, and the last point of Generated Momentum for the Create Opportunity spend.

For Example: Regular Spend, Unsuccessful Skill Test
The group has stored 6 momentum in the pool. Dianan attacks the next skeleton nearest her but misses! She wants to use Swift Action to try and attack again, but since it is a Regular Spend, it requires a successful skill test. She is unable to use Swift Action.

For Example: Regular Spend, Successful Skill Test
The group has stored 1 momentum in the pool. In desperation Dianan strikes out again at the skeleton, but generates 0 momentum. Her damage fails to eliminate the skeleton and so She opts to use Swift Action, in an attempt to bash the skeleton with her shield. Since Swift Action with another weapon only costs 1 point of momentum, Dianan can use the Pool Momentum to make this Regular Spend.

I hope this quick guide helps you in your Hyborian Aged adventures! If you have questions or comments please drop them below. Maybe you disagree with this assessment of Immediate vs Regular Spends? Let me know!

Until Next Time. Keep it Weird!

Monday, December 3, 2018

Momentum Dials for Conan 2d20!

In a short continuation from my last blog post I am working to increase the cool factor of my Conan 2d20 game. On top of that, one of the things I have never really enjoyed is how we track momentum for players at the table. Up to this point we have used glass tokens controlled by me, which work ok but generally end up with me forgetting to put some away or something similar.

Moving to having the players track their momentum means I only need to remember to double check remaining momentum with the players for transfer into the group pool. It will also prevent that random momentum token that is sitting on the table.

Having players track their own momentum isn't new, but I wanted something besides dice to do it with. So I again turned to The Game Crafter to build some cool custom components for my game to track momentum.



So, these are what I came up with. Overall I am pretty happy with them, although they are a little larger than I had anticipated, I had "X-wing Maneuver Dials" in my head, these are much larger at 2.5 x 2.5 in". Either way I think these will be a cool way for the players to track their momentum as well as add that extra cool factor!

These were designed for momentum tracking, but could really be used to track any number from 0-9 in any fantasy game.

The dials are available here if you want your own set. Momentum Dials

Until next time! Keep it weird!

Monday, November 5, 2018

Conan 2d20: Chase Trials.

Recently we talked about a mechanic to bring extended tests into Conan 2d20. We named this the Trial. Today we are going to extend this a little further using what amounts to Trial struggle, or the Chase Trial

We saw a Trial denoted like this, "10-D2", where D2 was the difficulty and 10 was the total momentum that needed to be generated to complete the extended test. The Chase Trial will work essentially the same way. One side will be given the Trial, and the other side a simple difficulty rating.

The Chase

Those being chased will be given a Trial they will need to complete to escape, ie 15-D1. In order to escape their pursuers they must complete the Trial. Those chasing will make their own skill roll, and as in a struggle the total momentum available will be the difference between the two.

Those escaping can, of course, use any momentum left to work through the Trial, while those giving chase can use their momentum to undo whatever headway the escapees have made.

How Far?

If we assume an accumulated momentum on this Trial of 0 is equivalent to the parties being in the same zone then we can take this a step further and introduce zones and ranged weapons into the mix. Perhaps an accumulated momentum of 1 or 2 indicates the two parties are at medium range and an accumulated momentum of 3 or 4 indicates long range.

How many momentum is indicated by range will largely by the GMs call. A short chase across a grassland might mean 3 momentum still indicates close range, while a long chase through the narrow streets of the Maul might indicate only 1 momentum is medium range and beyond that you lose line of sight on your opponents.

Test Difficulty

Generally, start the difficulty at 1 and add to it based on the environment. The total momentum required will vary based on the number of players, how capable they are, and how much they are willing to risk. If the player leading the challenge is unwilling to use Doom to gain additional dice, the players may flounder, especially if their base difficulty is 2 or higher.

  • Escape through a well known, lit city. Base difficulty = D1.
  • Escape through a known darkened city. +1 Difficulty = D2.
  • Escape through an unknown, darkened city. +2 Difficulty = D3.


Here are a few quick samples illustrating this as an idea.
Quick escape through known darkened streets - 10-D2 Survival/Stealth vs D2 Observation/Survival
Quick escape through unknown darkened streets - 10-D3 Survival/Stealth vs D2 Observation/Survival
Prolonged Escape through known daylight streets - 15-D1 Survival/Stealth vs D1 Observation/Survival
Chasing a cart on horseback along a forested road - 10-D2 Animal Handling vs D1 Animal Handling

The night is dark and a thick mist has descended upon the city. Two men stand outside a money house, while a third crouches and works the lock with slender tools that glint occasionally in whatever light is available. The standing men are both of native stock, Nemedia, while the third is clearly Zamoran. The Nemedians scan the area and one speaks, "Hurry up."

"Almost there.....", replies the Zamoran, his voice trailing off in concentration.

With a click the door opens and a quick sly smile jumps across the Zamoran's face. Just as quickly the smile vanishes as men in clanking armor and the livery of the Numalian town guard step from the shadows and utter a single command, "HALT!"

The three companions look at each other and with a small nod that only their years together allowed them to understand. They bolted off into the night, the guardsmen in pursuit!

Round 1
Momentum Pool: 2
Doom Pool: 13

GM: Ok! You escape into the fairly familiar streets of the city with the guards hot on your tail. Your difficulty in evading the guard is 10-D2 Stealth or Survival, and they are at a D2 to catch up to you.
Nemedian1: I have a 15/3 Survival rating so I will take the lead.
Nemedian2: I assist with my 13/2 observation helping to pick the safest path through the darkness.
Zamoran: I will assist with my Stealth 12/2 skill, helping us stay as silent as possible.
GM: Ok Roll!
Nemedian1: I roll 4 dice, buying 1 with momentum. 15, 1, 2 and 12 for 6 successes and 4 momentum!
Nemedian2: I roll my assistance die! I roll a 2 adding 2 more success!
Zamoran: I roll 1 die as well. I get a 4. That is 1 more success!
GM: Your total momentum for the struggle is 7!
GM: Ok. The Squad of guards rolls. 3 for the Sgt with an observation of 9/1 and 4 more for the rest of his unit also at 9/1
GM: 10,9,1,13,17,4 and 15 for 4 Successes and 2 momentum vs your total momentum of 7
GM: You manage to put some ground ground between you and them. Your total momentum for the escape is at 5/10.

Round 2
Momentum Pool: 0
Doom Pool: 12

Nemedian1: I roll 3 dice! a 3, 14 and a 10, for 4 successes and 2 momentum!
Nemedian2: I also roll assistance 1d20 against my observation again! I get a 1! 2 more successes!
Zamoran: I assist with my stealth again rolling my 1d20! 12 for 1 successes.
GM: Your total momentum for the struggle is 5!
GM: The sergeant buys 3 dice with doom and the rest of the squad rolls 4, for a total of 9d20 all at 9/1.
GM: 3,10,19,11,20,7,13,13,10 for a total of 2 successes and 0 momentum, PLUS a complication!
GM: Your total momentum for this Trial is now at 10!

The three men race into the familiar streets of the city, the night and mist work in their favor as they quickly slip away from the guardsmen that were laying in wait to catch these three thieves.......


Until Next Time

If you have any ideas or thoughts about this as a simple system to mechanically run chases, let me know. Feel free to drop a comment or check me out on YouTube .

Till next time, don't forget to Keep it Weird!

Tuesday, October 30, 2018

Weird West, REH Style.

All night Ghost Man did magic, callin' my ghost back from spirit-land. I remember that flight, a little. It was dark, and gray-like, and I drifted through gray mists and heard the dead wailin' past me in the mist. But Ghost Man brought me back.
Old Garfield’s Heart
-Robert E. Howard

The time is the late 1800s. The place is the western United States; the Wild West. The idea of it brings images of a dusty landscape populated with lawless men preying on the helpless, with the occasional man of character defending them. A time of gunslingers, prospectors and pioneers. It is a time of romanticized violence in the Americas. A time of barbarism vs. civilization.

In this time legends were born: "Billy the Kid", "Wild Bill", "Butch Cassidy" and "Wyatt Earp" are just a few of the men who have been made into icons of this time. The places these men fought and died have become just as famous as the people themselves: "The Shootout at the OK Corral", "El Paso Gunfight", "Northfield Bank Raid" to name only a few of these events.

In the Early 21st century, over a century since men rode horses and brandished six shooters, we are still enthralled by this era. Television shows such as Hell on Wheels, Deadwood and Godless are all set in this time, while Westworld, a modern remake of a classic uses the west as a backdrop. As I write this Red Dead Redemption II has just been released, and seems to be selling well, another testament to our interest in this time period.

But what of the pulp era? Why have I chosen to talk about the Wild West? The Pulps as I generally think of them are published from about the 1900s to sometime in the 1950s. I generally narrow my scope to the 30s and earlier, simply because I am often talking about Robert E Howard and his contemporaries. If we do a search on wild west pulp magazines we turn up a cornucopia of pulp magazine covers dedicated to the Wild West, plenty of which fall into this pre-1930s era. Clearly they were popular.

As a man living in Texas, having seen the effect of boom-town America, trying to make a living selling yarns to the pulps, it should not be a surprise to anyone that Mr. Howard penned his share of western tales. Especially given his interest in the cycles of civilization.

But I didn’t write this article to talk about the Wild West, despite its interest to many people. I want to talk about a sub-genre: The Weird West. Take all the adventure the Wild West serves up and drop in fantasy and horror elements. Perhaps a secretive eastern sorcerer is up to no good, or a ghost train haunts the tracks. Maybe the outlaws have come face to face with a zombie horde?

Where men with swords in the dark ages meets the fantastic and magical we get Swords and Sorcery.
Where the six gun meets the weird we get the Weird West.

The RPGs

The RPG I know that falls, perhaps most famously, is the Savage World setting: Deadlands. There are others, most of which I am not familiar with, but I wanted to also say the ICRPG has a Weird West setting called Ghost Mountain which shouldn’t be missed.


The Inspiration

Across social media I see people asking the same question as they move into this setting, “What can I read/watch for inspiration?”. Of course watching westerns will get you into the right headspace, everything from “The Good, The Bad and The Ugly” all the way up to more modern westerns like Tombstone.

I wanted to give a mention to a fairly brutal film that I think fits in here nicely as both a solid western as well as a film that touches on the potentially weird aspects of the west, "Bone Tomahawk". If you haven’t seen it and are ok with fictionalized realistic violence, I recommend checking out this film.

The Stories of REH

As I am sure you have guessed by now Robert E Howard wrote a few weird west tales as well.

Most of these stories are available online or through audio book. I strongly suggest you check them out as some of the foundational work in this genre. You can find them at Project Gutenberg and then doing a search for Robert E HOWARD

Pigeons from Hell. If you are familiar with REH and the Weird West I am sure you are thinking to yourself, “What? This isn’t set in the Wild West!”. Before you think I am crazy though, this is set in the 1890s around the same time as the Wild West. Despite it dealing with magic of the south, the ideas and concepts wouldn’t be hard to find inspiration from for the Weird West.

Old Garfield’s Heart. One of my favorites. Great story about a man and First Nations magic. Lots of good ideas and ambiance in this one!

The Valley of the Lost. Robert E Howard and vanished civilizations go together like cookouts and beans. This western tale is one of an ancient civilization, blood feuds and shootouts. It is definitely worth your time.

Horror from the Mound. Another classic REH tale. This time burial mounds and ancient curses are the order of the day.

The Dead Remember. A story about magic and revenge set in 1877. Told as a series of statements by the main characters and eye witnesses to the events the story revolves around. Not surprisingly, another good one.

Beyond the Black River. Yes, it’s a Conan story, but it’s also set on a frontier and is as much a western as anything. It features a fort, scouts, the Picts, magic and dark forests. It is an excellent story that you should be able to pull a fair amount from and push into a more traditional Wild West setting.

Do you have some more ideas on what stories Robert E Howard wrote that would help readers get an idea for some Weird West adventures. Do you have any favorite Weird West games you like?

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