'Barbarism is the natural state of mankind,' the borderer said, still staring somberly at the Cimmerian. 'Civilization is unnatural. It is a whim of circumstance. And barbarism must always ultimately triumph.'

-Robert E. Howard
Beyond The Black River

Corrupt Cliffs

Corrupt Cliffs
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Showing posts with label Rules. Show all posts
Showing posts with label Rules. Show all posts

Monday, August 29, 2022

Conan 2d20 : On The Grid

Conan 2d20 on the Grid


Without a doubt I have spent a good amount of time discussing zones and ways to get them to work easily within the context of a miniatures based game of Conan 2d20. It is no secret I am a fan of the zone idea, liking how it places the game somewhere between theatre of the mind and the tactical battlemap. The closest I have come to this alternate set of rules was back in August, 2018 with this idea around rulers for zone combat. Rulers can work well, and lots of people are proponents of them, still they do add another bit to have to deal with and locate when a move occurs.

There can be times during a battle where the zone idea can be a little confusing, players may not know exactly where they are in relation to the enemy and might feel like things are on the unfair side. If the GM handles things less than diplomatically it can make the table less fun to play at. I had this occur recently at my table, and so I was keen to find ways to fix it. Since I had been playing a lot of 5e, the grid jumped out as a possibility. At present the following rules have been tested once in game play and they worked well enough. We have not yet tested area effect, but we discussed it after the game, and my players thought it might be on the large side, so that might be something to keep in mind.

Conan on the Grid: The Rules, v0.5

The abstract nature of zones fits a nice niche between theatre of the mind and the tactical grid-based combat of many games. Despite this, the grid aspect of many games is enjoyable and can make combat more tactical for some people. I have played both types of games and find that they both have their place. One of the benefits of grids over zones is knowing exactly where your character is. Having a miniature on a zone-based map can, at times, lead to confusion. Conan as written is a zone-based game. Within a turn, a player may make a standard action, a minor action, and many free actions. All three of these have a movement type associated with them, but a player can only use one of the movement types in a given turn.


Using a base of 30’, stolen from 5e, all players in Conan will move this base level. The adjust action, in my mind, exists to allow characters to interact with items in the same zone due to the positional abstraction inherent in zones. With this system removing positional abstraction, it also removes the adjust move action. A minor action is a move represented by a move at 30’ (or the character’s base movement) (Move) A standard action is a move represented by a move up to 60’ (or 2x the character’s base movement), this increases the difficulty of all skill tests this round by 1 (this does not affect the defend reaction) (Sprint)

Splitting Movement

A minor action allows you to move up to your base movement, usually 30’. If you move part of that distance and then complete a standard action, you can continue to use the remainder of your movement, however, all movement rules still apply. Ie if you move into combat, leaving combat will trigger a retaliate action, unless withdraw action is used, as a free action.

Optional Fast Movement

Every 2 points of focus in Move (for NPCs) or Acrobatics (for PCs) grant an additional 5’ of movement. A character with an acrobatics of 4 could move up to 40’ as an adjust action, 40’ as a regular move, and 40’ to 80’ as a sprint action.

Difficult Terrain

Difficult terrain will count as double movement for each square it occupies, ie a 5’ square of difficult terrain costs 10’ of movement to move through it. Players can make athletics/acrobatics checks to avoid this penalty.


Ranges will also be based on the same concepts of a basic move being 30’
  • Close range, ie within a zone, is closer than 30’
  • Medium Range ie the next zone over is 30’-60’
  • Long Range, ie 2 zones, is 60’-90’
  • Extreme Range, ie more than 2 zones, is 90’+
Shooting outside of your effective range class increases the difficulty by 1 for each class. Ie A close range shooting to medium range is +1 difficulty and +2 difficulty to long range.

Ranges for Mobs/Squads

When determining the range for mobs measure the range from the middle of the mob. If the mob is straddling two range bands, choose the further range.

The Diagonal

The easiest way to handle diagonals is to simply allow them as a 5’ move.

Melee Combat

In order to engage in melee, combat miniatures must be in adjacent squares, this can be adjacent orthogonally or diagonally, this is known as base-to-base contact.


This is a standard move action, a character can move up to their base move when using this as their standard action. If the side withdrawing outnumbers their opponents this can be completed as a free action.

Protect Reaction

To use the protect reaction, the character using it must be adjacent to who they are attempting to defend.

Retaliate Reaction

This is triggered when a PC or NPC moves out of base-to-base contact without using a withdraw action.

Mobs and Squads

As members of the mob/squad are eliminated the back ranks will move to fill the front ranks. The mob or squad cannot leave base-to-base contact with their attacker as a result of the loss of members. Each member of the squad occupies 5’.


In order for a mob to interpose themselves, they must be in base-to-base contact with the target of the original attack.

Flanking (optional)

If two or more opponents are attacking with at least 5’ between them, they can each re-roll one of their melee dice for free, the second roll stands.

Areas of Effect

Weapons that normally affect an entire zone now affect a 30’x30’ square. Complications on the roll cause it to drift in a random direction (1d8) 1d6*5’

Monday, June 8, 2020

Stars & Steel: A Space Opera Scale Miniature Wargame.


When I first came across Stars & Steel by Assault Publishing Studio I knew I would have to take a closer look at it.  Not only is it in my wheel house, ie spaceships and gaming, it has a name very similar to my online gaming presence, even though it is for different reasons.  For me Starships & Steel represents two aspects of gaming, Sci-fi and Fantasy.  Steel represents swords, "What is steel compared to the hand that wields it?" Thulsa doom asks Conan.  For this wargame steel represents the hulls of starships out among the stars.

Most ship to ship games I have played are on a much smaller scale than this representing a scale something like FullThrust or smaller.  Games where you control a handful of ships.  Stars & Steel aims to take on much larger engagements, fleets of hundreds of ships.

Game Scale and Basics

If you think of this game in terms of an older version of Warhammer 40k where you had 4 or 5 units of 5 Space Marines, and put 25 models on the table, you are thinking in the same approximate terms of this game.  

Stars & Steel is a nanofleet scale (1:10000) squadron based game, each squadron is comprised of 1-12 ships controlled by a commander situated on that squadron's flagship.  Each ship is one of three classes: Battleship, Cruiser or Destroyer.  Each of these ships is comprised of some combination of missiles, artillery, fighters and point defense as well as special rules.

The flagship of a squadron is chosen from the largest and baddest ship in the fleet and the marker by which all ranges and movements are calculated from.  Other ships in the squad are arrayed around the flagship, but their actual position isn't that important.  You could, with a little bit of record keeping, represent each squadron as a single counter or model, although that wouldn't be as cool looking.

A small fleet engagement.
A small skirmish featuring 6 squadrons per side.

Ships do not not track individual damage, instead you will track damage and disorganization on a squadron level.  As damage is increased there is a better chance one of the ships in the squadron is eliminated.  Likewise as the squadron takes more fire it becomes more disorganized and begins to suffer negatives to its effectiveness.

Ship movement, maneuverability and some artillery ranges are determined by the ship's class.  A battleship is slow and turns poorly, but it's artillery range is far beyond that of a nimble destroyer.  Missiles and Fighters have a set range, it doesn't matter what kind of ship launches them.

The number of squadrons is determined by the scenario, with a small skirmish representing 6 squadrons a side and a legendary battle fielding up to 24 squadrons per side.

The other limiting factor determined by the scenario is the maximum rank for the squadron commander.  This in turn controls the number and type of a ship that can exist in a squadron.  If we look back at the skirmish scenario, we are limited to a rank of two stars or Captain. 

The above might represent a 6 ship squadron commanded by a Balanced Lieutenant.  As you can see it is composed of 6 ships and is fairly well rounded, have equal artillery and missile power as well as some point defense capabilities.  Fielding a squadron commanded by a captain will allow us to use Cruisers as well.

Although they recommend you use nano scale ships, they have left distances up to you, listing all ranged and movements as Distance Units or "DU".  They go on to suggest for epic scale, that 2" per DU is probably a good number with 20mm square bases for the ships.

The Color of Outer Space

This game makes use of colored dice to note incoming artillery, missiles and airborne fighters.  Further it uses colored dice to track damage and disorganization: Yellow, Blue, Green, Black and Red.  I am almost certain if you played the game for awhile you would figure those out, provided you had no issues with color.  For people who are color blind I can see this causing potential issues.

Fortunately the game also comes with a bunch of print and play tokens, so they aren't completely tied to using the dice colors.  I would suggest the tokens are a better way to go, they will be clearer and easier to see and understand for everyone.

I whipped up a set of counters quickly using Game-Icons.net as well.  If people are interested in these I can make them available.  

The Game Turn

The game is broken into a number of phases, some are small and quick housekeeping steps, while others are used to move or fire your weapons.
  1. Beginning - Initiative, deployment and damage control
  2. Orders - Determine what fleet is doing - Reactive
  3. Artillery - Resolving artillery orders
  4. Movement - Resolving movement orders - Reactive
  5. Aircraft/Fighters - Resolving fighter orders - Reactive
  6. Missiles - Resolving missile orders
  7. End - Housekeeping
The game is played in an alternating reactive style.  The player with initiative selects and activates one of their squadrons.  Once they have finished the opposing player selects the squadron closest to the activate squadron and completes it's phase.  Not all phases require this activation sequence, but several key phases require it: Orders, Movement and Fighters

Orders Phase: Orders come in 5 flavors (Artillery fire, Missile fire, Maneuvers, Regrouping and Fighter command) and two types (Basic and Advanced), with advanced orders requiring a roll by the squadron's commander to achieve.  For example a squadron can easily make a turn, but to take evasive action requires the commander to make a competency roll. 

Each Squadron can complete a number of orders up to the Commanders efficiency rating.  In our sample squadron above the Lieutenant may issue 3 orders per turn. ie Fire Artillery, Turn and Regroup.  Everything a squadron is going to do is planned here and resolved in later steps.  

Artillery & Missile Phases: These two phases are pretty similar.  During the orders phases squadrons will have directed their fire power ratings at enemy squadrons.  When we get to these phases all of these allocated dice will be resolved.  Each point allows a die to be rolled to determine damage and disorganization.  For artillery a roll of 5-6 causes 1 point of damage and 1 point of disorganization.  So if a squadron has 10 artillery points against it, the attacking players rolls 10d6 and determines which dice are above 5-6.  

Fighter Phase: During the orders phase a squadron can increase the number of fighters it has in space at one time, but they aren't directed anywhere.  In this phase we direct them to do various actions, hold position, attack, shoot down missiles, etc.

Movement Phase: As mentioned above this is a cinematic 2D space game.  Ships are moved via reactive initiative up to their max movement range.  They can elect to not move if they wish.  Ships can not collide, but if they end their turn close to each other they may incur disorganization points.  Turns are not well defined here.  They need to be ordered in the orders phase but there is no indication of when the turn can occur.  At the beginning?  During the move?  At the end? 

The game progresses through these phases, ships moving and firing, launching fighters and becoming disorganized until the missions objectives are completed.

Overall Thoughts

My initial thoughts for this game was there was a lot to remember and a lot to keep track of.  I didn't think it had that much potential to be honest.  I almost didn't even bother writing this overview.  As I continued to look at the rules and take notes and got a better feel for it, I started to warm to it.  

As I write this now, I see potential for some pretty cool games fielding lots and lots of ships, which is of course the downside, you need lots and lots of ships.  You can get a couple of destroyer class ships from Ground Zero games for the $5 mark, putting a squadron of destroyers at about $15.  Ships in the battleship range jump steeply in price from Ground Zero.  All of these GZG ships are also a little on the large size, but the modern world has all kinds of 3D printing options to make the idea of fielding 100 ships and not breaking the bank a possibility.

Assault Publishing Studio have released a set of .STL files available as with the Pay What You Want model on Wargame Vault as well and plan on releasing more.  I downloaded the current set and printed a few off so you could get an idea of the ship scale.  The image is taken against a 1"x 1" grid.  So if you already have a 3D printer this game should be fairly cheap to get into.  I will go over a simple basing method in another article.

I also want to take a moment and point you at a blog that I had not visited in quite awhile.  I was happy to see a lot of new posts, especially around his creation of spaceships.  Jump over to Solipsist Gaming and check out his DIY gaming stuff.

Some of the things I like is how abstracted it is, making it relatively simple and quick to maneuver vast fleets, with the above skirmish example each player is only going to need to deal with 6 entities a turn, making this no more complicated in essence than something like A Song of Blades and Heroes.  

Ship weapons are broken into three basic classes: missiles, artillery and fighters.  What those look like is largely up to you and the universe you are trying to portray.  Dice resolution is all die pool based, something I find quick and fun, who doesn't like rolling lots of dice?

I do feel that the game is missing at least one key aspect and that is shields.  You could make an argument that they are abstracted into the game engine and all ships carry them.  I am OK with this as an explanation except the game engine uses point defense as a mechanic to take down missiles.  Perhaps this was a conscious decision to not include them.  Does adding shields make missiles even less effective? 
Perhaps instead of a point defense system the ships could simply have a defenses stat, which abstracted to Armor, Shields and Point Defense, with it effecting missiles and artillery differently?  These are of course simple idle thoughts that occurred to me as I was reading the rules.

Another idea it misses and one that might help with missiles not being useless if we add shields, is something I have seen elsewhere, artillery gets weaker over distance.  At close range they do full damage, and as that range increases then the damage decreases.  Sure this doesn't make a lot of sense given the vacuum of space, but this is a cinematic game, not a perfect depiction of starship combat.

These two elements are just ideas and certainly aren't meant to say this system is missing the boat.  I do not think that.  Abstractions of things are necessary or games of this size can quickly become a nightmare of logistics.

So if you want a fairly quick to play game of starship combat that allows you to field that grand fleet from The Last Jedi, this game might be for you and I suggest jumping over to Wargame Vault and checking it out.  Right now the game is Pay What You Want, you can download it for free and head on back later if you like it and drop them a few dollars.

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Monday, May 4, 2020

Sharp Swords & Sinister Spells: The Flourish!

Welcome back! Today we are going to look at my first look at a house rule for Sharp Swords & Sinister Spells. If you have followed the blog for awhile you will know I am more of a fan of narrative results or success by measure vs simple pass/fail mechanics. I am also a fan of keeping math as simple as possible, in a basic D20 system, the simplest way is to have a concept something like what we see in Savage World with raises. In my opinion it works less well in a d20 system since that TN or DC is moving all the time.

Fortunately that is not how Sharp Swords works. As a role under system based on stats we can simply take our attribute and subtract 3 or 4 from them and assign a second threshold. So if your Physique score is 12, we can set a second value at 8. Rolling under 12 gives you a success, rolling under 8 gives you your success, plus some other benefits. If you are familiar with Conan 2d20, Year Zero Engine, Genesys, AGE or others you will know the basic idea I am going for. Below you can see what my character sheet looks like with the addition of the Flourish number.

From experience I know having too many choices can slow a game down, having 5 stunt points in an AGE system has the ability to slow things down as the players try and choose how to spend that currency. It was something I was wanting to avoid here since this is a rules light game. Solution? Rolling under the flourish allows a player to choose a single item from a Flourish list, this choice will still add a little time to a turn but I think the reward of having the player narrate how that flourish works will be worth it.

As the game progresses in level, hitting enemies will probably become easier, they will also probably become better armored and have more hit points. By the RAW your damage output doesn't really increase, the only exception to this might be magic. Either way if you encounter a creature with 6HD, and it ends up having 40+ hitpoints, doing 1d8 damage in a round or less depending is going to make the combat pretty boring IMHO. It will be a lot of players rolling to hit, and the monster rolling to miss. The creatures ability to do massive damage will be scary initially (2d6 in this example), but as the combat drags on I think it will grow dull. Flourish maneuvers like these will also hopefully make these combats quicker and more decisive. Now all of this is just a feeling, I haven't actually played this game at a high level.

Below is my initial list of Flourish options I have worked up for my Sharp Swords game.

My main goal in naming these to have the names be more than just mechanical. I wanted them to spark the imagination about what each one was doing. I didn't want it to be called "extra damage" and have players say ok. I roll an extra d4 damage. At the very least they are choosing "Mighty blow" and rolling that extra damage, which in and of itself is way more narrative.

Well the game is done and after utilizing this system I felt the general idea of it was pretty good, but using a simple subtract 4 from the ability score and making it a strict roll under made the flourish occur too often, which reduced it to a more mechanical effect than the larger narrative effect I had hoped for.

During the game a rule was highlighted that showed that this game isn't really a roll under your attribute mechanic, it is a roll under your attribute but close to it. So if your attribute is 13, 12 is a better roll than 2. The flourish system outlined above works against this.

Going forward, and staying in line with the idea of being close to your attribute, I might take the Flourish number and make it a range band. If your attribute is 14, and the Flourish is 10, activate a flourish on rolls of 10-14. This would reduce the number of times there was a flourish, which would hopefully make them a little more exciting for the players, and hopefully more narrative.

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Monday, April 27, 2020

Sharp Swords & Sinister Spells: Let's Make a Character

One of the things that attracted me to "Sharp Swords and Sinister Spells" was its simplicity. Simple is good, especially when attracting new people to a game and genre. It allows us to jump in easily and not need to be constantly explaining rules and such to the players.

I am looking to use pre-gens for my one-shot I thought it would be good to go over the basics parts of the game. Character creation is a simple 5 step process, although I might add a step 0 or 1.5. I will explain as we go.

Step 1: Roll your 4 attributes.
We roll 3d6 in the order the attributes appear. No rolling 4 and keeping 3. No picking your order. Just a straight up 3d6 roll in attribute order.
  • Physique: 9
  • Agility: 11
  • Intellect: 12
  • Willpower: 10

Step 1.5: The character idea.
Most games I have played list this as a step, get an idea of a character you want to play in your mind. I would sometimes place this as step 0, but since our rolls are in order, it might be better to see what we get before coming up with the idea. It will do no good to want to play a Conan the Barbarian type character if you roll 5 on Physique and 8 on Agility. It is of course 100% fine to come up with this ideas as you go, with that character gaining life and depth with each decision you make.

For us we have two pretty decent stats in Agility and Intellect, or at least this is where our best stats are, lets see how this plays out for us.

Step 2: Choose an Archetype.
Based on our stats the best Archetype for us is going to be a Specialist. The thief, the rogue, the trickster.

Each archetype will give us our base type of HD and Luck dice as well as our special abilities.

Step 3: Choose a Vocation
This is the most open ended part of character creation. There isn't a list, you must simply decide what your character is based on the Archetype. Anytime you do an action related to your vocation you gain a positive die. If you are a Knight and need to test to ride a horse, you could gain a positive die here. If you are a thief and need to open a lock or find a trap, again you could gain a positive die.

This is perhaps the step that Step 1.5 relates to the most. For us we know we have a Specialist who is smarter than they are agile. Something like a rogue or thief would probably be ideal for this character.

Step 4: Determining a complication
This section presents some interesting ideas as well as some potential challenges, it deals with things the GM might use to make someones life difficult during the course of the game and includes addiction. Clearly if you do not know your players it might be best to stay away from that particular category when making this roll. It might be worthwhile having your players look through these and give them the option of "X"ing any particular category out that they personally feel uncomfortable with. This is a game and we are all at the table to have fun.

That being said my 2d6 roll for our character is 1.4, or Debt to a Crime Lord. This ties in nicely to our concept of a thief character.

Step 5: Buy Equipment Everyone starts with a basic set of clothes and a weapon appropriate to their vocation. For us that most likely means a short sword, which is a small weapon that does 1d4 damage. Beyond this everyone starts with 3d6x10 silver coins. Our roll gives us 90sc. Like many games we get a coinage multiplier, 90sc = 9gp or 900cc.

The first thing we will buy is some decent armor. Medium armor costs 50sc, leaving us with 40 for everything else....
  1. Medium Armor - 50sc
  2. Backpack - 2sc
  3. Torches(5) - 1cc
  4. Waterskin - 5cc
  5. Rations(7) - 7cc
  6. rope, 50' - 5cc
  7. Grappling hook - 1sc
  8. Flint & Steel - 2cc
  9. Thieves Tools - 30sc
Total 50+2+(1+5+7+5+2)+1sc+30sc=85sc

Not too bad. Pretty good load out for a fairly average roll.
But wait? What about encumbrance? It is super simple. You can carry a number of items equal to your Physique score without penalty. Beyond that we start getting penalized and we can carry a maximum of the Physique score x2. So we can carry 9 items. Bags and packs do not count towards this limit.

Finalize Your Character
So now we simply need to come up with a name, description and roll some Hit Points.

We got a 7 on our d8 hit die roll, which is pretty good! I can see a potential issue to this as an unmodified roll, a PC rolling 1 hit point isn't going to be much fun for most people. Although I don't think this is something unique to Sharp Swords.

For a name I popped over here and used the random name generator here: https://www.fantasynamegenerators.com/hyborian-names.php, and came up with 'Talma'.

Finally we need to write this all onto a character sheet, and below we see the completed character sheet.

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Monday, November 11, 2019

Making a Character in the Alien RPG by Free League.

In my first article about the Alien RPG I talked a little about the steps required to make a character. I thought it would be a fun and useful article to go through those 10 steps and actually build the character.

The first thing we need to know as a player is the type of campaign we are going to run. Is this going to be like Alien or do we want something more action packed liked Aliens? For this example I think we will create a character for a "Space Trucker" type campaign.

Building the Character

Step 1: Choose a career.

Who doesn't like Brett from Alien? Right.
We will choose the career: Roughneck.
These guys are the manual labor out on the frontier. Hard working, physical laborers.

Step 2: Spend points on attributes.

We get 14 points to spend between our 4 stats: Strength, Agility, Wits & Empathy. Health starts equal to your strength score.
The minimum value we can have is 2 in each stat, meaning we have spent 8 of those 14 points before we even start. We have 6 points to distribute freeling, but we can't have an attribute higher than 4.
  • Strength: 5
  • Agility: 3
  • Wits: 3
  • Empathy: 3

  • Health: 5 - Starts equal to strength score
  • Encumbrance: 10 - Starts as double your strength score
*Strength is listed as a KEY career skill, so we can assign 5 points into it.

Step 3: Spend points on skills.

We get 10 skill points we can spend up to 3 points on each of our career skills, and may assign a single point each to any remaining skill you choose.
  • Heavy Machinery: 3
  • Stamina: 2
  • Close Combat: 3
  • Ranged Combat: 1
  • Comtech: 1

Step 4: Choose a career talent.

We get to choose a single talent for our career from a list of 3. We will choose The Long Haul. We can ignore all stress rolls from a single roll once per game sessions in the campaign.

Step 5: Choose a name.

They give you a list if suggested names for your career, so we will just pick one of those.
Sassy Diaz.

Step 6: Decide on your appearance.

Again, your career gives you some options to go with. For Sassy Diaz, I think I want a shorter, wiry type with short-dark cropped hair and some tattoos on her arms.

Step 7: Decide on your Personal Agenda.

This is the part of your character that drives your action, your career will give you options, but you don't have to stick to those. Sassy is out on the rim to make a buck, and willing to take risks to do it. If she can increase her share, she will.

Step 8: Choose your Buddy and your Rival.

Since we are not creating an entire group, we will skip this step, but be aware this allows you to define your interpersonal relationships with your fellow players.

Step 9: Pick your gear and signature item.

It should not surprise you, but your career determines your starting equipment. We can choose two items from a list of 8 things, however, they are listed as "Liquor OR compression suit" so we couldn't pick both of those. Sassy is going to start with items that will help her with her goal of making some cold hard cash on the frontier.
  1. Hi-beam flashlight
  2. DV-303 Bolt gun
We also need to pick a small item of significance to the character. Again there are a few suggestions with your career.
We will give Sassy a small silver locket she always wears that stands in stark contrast to her otherwise roughneck appearance.

Step 10: Roll for cash.

And finally, we roll for some cash. Roughnecks get $d6x100. I rolled a 4, giving Sassy $400.

The Character Sheet

Then we just need to fill out the character sheet and we are done!

Creation Summary

Now that I have walked through the process I can say it is a pretty easy creation process that will not take up that much table time, but be aware if you are trying to do it at the beginning of your session each player is going to need the career and talent section, which could easily slow things down quite a bit.

Having a fairly simple character system for campaign play might be a good idea since death out on the frontier is a very very real thing.

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Monday, September 30, 2019

Conan 2d20: Zones and Ranged Weapons. Do they even make sense??

Without a doubt, the ideas behind ranged weapons in Conan 2d20 feel odd to many people, and flat out make no sense to many others. In most RPGs and wargames ranged weapons generally gain damage and range as they become more powerful. There is little reason to use a lower-end bow when you can use something bigger and better. In D&D 5e we can compare two missile weapons: the hand crossbow and the heavy crossbow.

Name Damage Range
Crossbow, hand 1d6 piercing 30/120
Crossbow, heavy 1d10 piercing 100/400

Here we have two similar weapons, but the heavier one shoots much further and packs a larger punch. Both have a basic range and a long-range, but the heavy crossbow has little to no disadvantages, why would you ever pick the hand crossbow?

This increase in specs between ranged weapons to differentiate which is the superior weapon is a common idea we see in wargames and RPGs. It isn't specifically what we see in Conan 2d20 though. In Conan 2d20, the weapons change range based on where they should be used. There may be places you want to use one bow over the other. Let's take a look at the stats between two different bows in Conan.

Name Damage Range Special
Hyrkanian Horse Bow 3 Combat Dice Close Volley
Shemite Bow 3 Combat Dice Long Volley, Piercing 1

These bows are practicaly identical, with the shemite bow being long range and doing slightly more damage, but in the thick of battle, with enemies closing in fast? The short Hyrkanian Bow is going to be the superior weapon. But why does Conan do this? We will start with a basic idea: within an action scene in Conan, generally, a hero is going to be able to hit someone with a ranged weapon. Even in the above D&D example, the hand crossbow can shoot 20 squares, in most areas that range is not going to be the issue. More often, the line of sight will be the limiting factor, not the weapon's range. So if we decide the weapon's range itself isn't the issue at hand, we can forget about it for right now.

Let us talk about the idea of skill vs weapon. We take two archers and we place them on an archery range. Each shoots arrows at identical targets. Each is equally skilled. One uses a Shemite Bow and one a Hyrkanian Horse Bow. They should both be able to do about as well on our target. Neither is rushed, neither has outside forces acting on them, it is simply a test of skill. An average difficulty test if you will.

Still, we see ranges listed in Conan, even though we just decided that, pretty much, anything you can see is going to be in range. Instead of describing how far a bow can shoot, these ranges describe where the bow will be its most effective. It is used to describe a short bow being more effective in the thick of combat and a longbow working better at targets that are further away.
  • Close range: Shooting within the zone. The archer and their target are constantly moving, constantly looking for openings. The archer needs to have a nimble weapon and one that can shoot fast in order to get the shot off when they need to.
  • Medium Range: Shooting into the next zone. It is possible the archer and the target are in motion within their zones, moving for position against others in their zone, but we can generally assume that since the target and the shooter are further away, the shooter has a little more time to aim and isn't as hampered by the size of the weapon.
  • Long Range: Shooting two zones away. The distance starts to be a factor at these ranges, and weapons that excel at close ranges become more difficult to use accurately.

Reasons For Effective Ranges
The Hyrkanian Horsebow. Listed as Close-range, we have a bow that excels at close combat. It is small and can be fired quickly, but the short limbs tend to make it a little less accurate compared to it's larger brethren, this is magnified by the high pace within an action scene. Shooting out to the longer ranges simply takes a more skilled archer, especially under the pressure of combat.
The Shemite bow. Listed as Long-range, the bow is huge and stable upon release allowing its missiles to land more accurately at longer ranges, but up close in the thick of the action, its size simply gets in the way and makes it harder to shoot.

Mechanically this is represented by a bow having no difficulty modifier added to the skill test at its optimal range, and a +1 is added to it as we move away from that optimal range, in either direction. So at Close Range (In the same zone) the Hyrkanian Horsebow is going to shoot at a difficulty of 1 (assuming a base difficulty of 1), while the Long Range Shemite bow is going to suffer a +2 to the skill test, Long -> Medium -> Close, making it a difficulty of 3. If there are environmental concerns like rain or darkness, it just makes everything more difficult.

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Wednesday, July 17, 2019

Why I think Zones Are Better Than Grids.

Over the last weekend, I again had the opportunity to play a game that used the more traditional grid-based system. It struck me that although it added the ability to more clearly move figures around and know "exactly" where each person was, it came at the cost of time.

Each time a character moved we needed to count the squares and try and determine the exact location we wanted to be. When casting spells with an area of effect, we needed to make sure the area was going to be what we wanted and count out carefully.

All of this additional time added up, and from where I was sitting slowed combat considerably. Combat should be an exciting time in the game, full of fun rolls and descriptions. We should not be seeking to slow it down. If I had any lingering doubts about zones before, they are pretty solidly gone now.

Instead of a battlemap composed of grids, zones break the map up into areas, let's see how that works in practice.

Basic Battlemap
Battlemap with Zones

Above we have two examples of the same map (From 2 minutetable top) described spatially. One with a grid where players can place a miniature on the map and move them in 5' increments. The other has the same map described with zones, where player miniatures are simply placed within a zone.

It is important to note that I have drawn the zones on largely for illustrative purposes, you could use a basic clean map and denote the zones through narration, small markers or just a small keymap. The zones don't need to be exactly delineated. We just need to know that a character is in the "Deep Stream" or on the "Rocky Incline"

Can you do much of what I am going to talk about with grids? Yes, you could, but I think zones are a simpler and more elegant way to accomplish it.

The first thing I think zones do are speed up movement in combat. You don't need to see if an opponent is 5 or 6 squares away. If you are both in the same zone you can engage them in combat, they are close enough to do so freely. Are they one zone over? Do you have a minor action available? You can also move to engage them easily. If a PC is at the bottom of the cliff and an opponent in the stream on the top of the cliff, you can fight. You don't need to count spaces. This in and of itself is a pretty big plus in my books.

What about terrain though? Surely the moving from the base of the cliff to the top of the cliff should impart some slow down. This brings us to another excellent thing about zones. They can each be made a little differently. Moving across the cliff zone might require an Athletics/Acrobatics test to move at full speed. It might even cause damage on a failed roll simulating fall damage. Essentially when a player is on that zone they are actively climbing up the cliff.

Some examples for the above battlemap written for Conan 2d20.
  • Rocky Incline - Steep incline - D2 Athletics/Acrobatics Hindrance. Incline plus loose rocks make the going difficult.
  • Skull - Cave entrance - 2cd Cover from missile weapons.
  • Steep Path - D1 - Athletics/Acrobatics Hindrance.
  • Path - Open ground, no penalty.
  • Cliff - D3 Athletics/Acrobatics Hazard for take 2cd damage on failure.
  • Stream - Flowing stream - current is stronger than it looks - D2 for all physical tests while in the zone.
  • Deep Stream - Flowing & Deep - D2 for all physical tests and D2 Athletics/Acrobatics Hindrance.
  • Path - Open ground, no penalty.

Now we have created a battlemap that has a lot of interesting things going on. Players may wish to try and fight on the open ground of the paths, but if they need to gain entrance to the skull cave, they are going to have to fight over some hindrances or hazards to get there. As I mentioned you could, of course, do similar with a standard grid battlemap. Not only do I feel the zoned approach is easier, I feel it lends itself to wanting those details more.

Finally, they are hugely abstract, they can represent whatever size you need, a large open field might represent a larger area on the table than the trees next to it. They might be player scale, or they might be army scale. Following on the abstract nature, you don't need your zone to specifically represent an actual 1:1 scale on the table, using a set of cards like RUNEHAMMER's ICRPG Graphic Index Cards or pictures of printed areas laid on the table you can quickly lay down easily identifiable and interesting zones for your players to interact with. If you need a set-up like the above you could grab a set of 8 index cards and write the name and details of each zone and just lay them out on the table.

And because of this abstract nature and ease of creating zones with a small card, you could lay out a complex area in a very small space, eliminating the need to carry around a large battlemap, you will just need something to represent players and enemies which fit inside the cards. Examples might be small chits or 15mm figures.

Lastly and this one may be a bit of a shock, I think think the abstraction of the exact position of a character within a zone is more realistic. Unless you subscribe to the idea that 1 roll of the die is the equivalent of one blow of the sword, keeping a character in a 5'x5' square is wholly unrealistic to me. The idea that combat is moving across and around the area is much more realistic to me. "The fight between the warrior and the bear rages in front of the skull cavern, the roar of the bear pushing the warrior back as he circles to find an opening on the massive beast" is descriptive of a battle occurring in a zone where the two combatants gain and lose ground and circle for the best place to strike from.

The downside is that players are a little more generic, in D&D you might have someone that can move 4 squares and another that can move 6 squares. With a zone-based system, each player is essentially moving the same distance. For me, though this negative is a very small one and is strongly outweighed by the positives. Similarly, other aspects of the game strongly tied to a location are lost such as an area of effect or flanking.

To sum up why I think Zones are superior to grids: They can save time in combat, they lend themselves to a more descriptive and interactive environment, their abstract nature allows more freedom of scale and I think it is a more realistic interpretation of the world.

Zones meet a nice middle point between the strict theatre of the mind and players measuring exactly where their miniatures move. They can speed up combat by eliminating exactly where everyone is. They can create rich and vibrant environments that are more interesting to play in. They can be scaled to fit the table size you have with minimal fuss. Creating their physical representation can be as simple as words on a card up to a full 3d layout.

If you haven't tried zones before in your games, I encourage you to give them a shot. If your system doesn't specifically include them a rough guideline is to allow players to engage and move within a zone freely, a normal move allows movement between zones and a sprint allows movement across 2 zones. You will need to give some consideration to how you handle area effects and flanking. Maybe you won't like them, or maybe your players won't and you'll go back to the grid. But just maybe you'll enjoy this new system free of range rulers and measuring.

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Monday, February 11, 2019

Conan 2d20: Magic in the Hyborian Age

I will start this by saying that I haven't played D&D in many years, but as it is probably the most played game out there I will be bringing it up as a comparison to how magic works in most RPGs vs how magic works in Conan 2d20.

In D&D you get a long list of spells you can choose from and from that list you can choose what you want to cast for a given day. For an example we have a first level wizard with an INT of 17 (+3). The wizard has 6 spells in her spell book. At level one, she will be able to create a spell list for the day that contains 4 spells from her book. She may then cast any of those 4 spells twice, since a level 1 wizard only has two level one spell slots.

The spells you get to cast have any number of effects: Lightning bolts, fireballs, magic missiles, shields, summoning monsters, etc. They are the stuff of high fantasy, flashy displays of mystical energy.

The magic in Conan is much more subdued and although there is certainly spells that can be used offensively, we aren't going to be throwing magical fireballs at each other. Where D&D gives you a large number of spells to choose from, Conan gives you a smaller number of spells, probably a single spell when you start. I tend to think of these as spell blocks though because although they have a single name, they each have ways to build on the effects. In D&D terms you might not have magic missile and lightning bolt as two spells, they might simply be called, "Magic Bolt". D&D would need a way to channel more energy into the spell, maybe expending 2 spell slots to increase the effect of the bolt from a mere zap to a full fledged lightning bolt.

In the movies we see magic akin to what we might find in the Hyborian Age in the first Conan The Barbarian movie as well as the magic wielded by Merlin in the similarly aged "Excalibur". The magic in these films is very real, and yet often quite subtle. You again aren't seeming glowing hands and the like.

One of the other major differences is the loss of resolve, ie mental hit points, from spell casting in Conan. You could cause yourself to go insane if you cast too many spells without any rest. It lends a much darker and more sinister air to the forces you try and wield in the Hyborian Age.

With all that I am simply trying to set out the ground work for magic in 2d20 for those who are new to it. It is different. That doesn't make it bad. Today we are going to cover the basic ideas behind how casting works mechanically and how it can work for the narrative. There are a few other concerns around a character with knowledge in Sorcery, but that is for another time.

Call Your Dragon to Weave a Mist.....

The simplest form of spell casting in 2d20 looks like this and is known as Casting for Effect.
  1. Resolve - Check and make sure you have enough resolve to cast the spell.
  2. Minor action - Focus action (skipping this causes complications on a 19 or 20).
  3. Standard action - Skill test against sorcery.
  4. Complications - Any failed rolls result in a complication. Rolling a complication causes 2 complications.
  5. Momentum - On a successful test send and additional momentum you have on stronger effects.
  6. Resolve - Reduce your resolve
The second form of casting is known as Testing for Consequences or sometimes called Casting for Consequence. This is not at alternate rule, but it is up to the GM to allow it on a case by case basis. Basically the idea is that the spell always goes off and you are just testing to check for it's negative effects, think of it as Casting to Determine Complications.
  1. Resolve - Check and make sure you have enough resolve to cast the spell.
  2. Difficulty - Determine the difficulty of the spell. Most start with a base of D1, and each momentum spend you add, adds a level of difficulty.
  3. Minor action - Focus action (skipping this causes complications on a 19 or 20).
  4. Standard action - Skill text against your spells difficulty.
  5. Complications - Each difference between the number of successes you roll vs the difficulty of the spell causes a complication. ie if you roll 3 successes on a D5 spell, you gain 2 complications.
  6. Complications - It is POSSIBLE that a failed skill test here still causes a complication as well. There is nothing specifically that says it doesn't.
  7. Complications - Rolling a 20 causes a complication.
  8. Momentum - Spend momentum as normal.
  9. Resolve - Reduce your resolve.

Can You Summon Demons, Wizard?

Let us take a little bit of a deeper look at the ideas presented in the book. Specifically we will start with the following passage:

From the depths of dusty tomes and the tutelage of patrons human and otherwise, the sorcerer collects incantations and recipes for spells, magical creations whose effects are immensely powerful, their histories older than the cities of men. These spells are broad strokes, guidelines by which unnatural forces can impose their will upon the natural world. The combination of spell effects and sorcerous talents comingle to form more complex results and more powerful intrusions of the Outer Dark into the world of humankind. The nature of magic in the Hyborian Age is not strictly codified, and requires the gamemaster to adjudicate on a narrative as well as mechanical basis.
-Conan 2d20, Core Book Page 173

It is fairly easy to look at the spells and mechanically cast based on what is listed. That is always an easy thing, but in my books it is a less fun way to play. These games are all about the narrative. Have a player simply cast and then pick from a list leaves a lot on the floor. Instead think of these spell blocks as a toolkit. I strongly encourage you and your players to at least have an idea of the desired effect of the spell, even if it isn't fully realized on the actual skill test. I have a couple of examples below of sorcery in use. Our examples will center around Adara, a Cimmerian shaman.

Adara looks out across the blood soaked sward, the smoking ruins of the fort and dead from both sides litter the ground around her. Her people did not start this war, the constant incursion of the southern kingdoms north to take more land, and finally in an attempt to subjugate her people started this. Finally her tribe had enough, and so her and her people drew steel and assaulted their positions.

GM: You see a large warrior cutting down your people left and right, clearly a Knight and a fearsome opponent, what do you do.
Player: Adara casts Form of a Beast. Uhhh, I roll 4 successes so that lets me succeed and spend 3 momentum. I choose Nature's Brawn, Animal Resilience and Roughen this beasts hide and I transform into a bear.
GM: Ok, Adara takes the form of her totem animal, the bear.
GM: You see a large warrior cutting down your people left and right, clearly a Knight and a fearsome opponent, what do you do.
Player: Adara summons the energies of the forest creatures, feeling the power of her totem animal flow into her she attempts to take on not just the form of the beast, but also it's strength and savagery! I roll 2 successes, and assume the form of my totem animal. Unfortunately this only gives me one point of momentum so I use that to assume the strength of the bear! GM: Ok, Adara takes the form of her totem animal, the bear.

Mechanically similar, but in my books the second one is more fun and more interesting, even though she was less successful with that test. Certainly the rules say you cast and then can use that momentum however you want, and I am not saying you should pick exactly what you want to have happen from the menu and try and cast it, but instead have an idea of the kinds of things you COULD have happen or WANT to have happen and weave that into the description of what your character is doing.

Even if you go the first route and don't have a clear idea what you are trying to accomplish with the spell, once you have chosen those effects I would strongly encourage you to work those effects into the description of what your character is doing. The spells are a GOLD MINE for narrative ideas and cool effects.

I can't encourage your enough to use these spell blocks as a toolkit to build excellent narrative effects around the magic we find in the Hyborian Age!

Finally some of the core book can be confusing, and should you need it we do have a Sorcery FAQ put together from the days of the Google+ group.

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Friday, January 18, 2019

Friday's Forgotten Fiends: The Jungle Crawler

Friday is here and that means another fiend from a time immemorial! Today I am going to introduce you to a giant creepy crawly, something that should make at least one of your players dread the fact they ever entered that jungle.

The Jungle Crawler

In the wild places across the world forgotten by man. In places that grow lush with life, deep jungles and dark forests, things grow large. Things that time has turned it's back on and allowed to thrive against natures best judgement. In these places dragons roam. But in these places things creep and crawl with hundreds of legs, dripping poison and death.

Today I introduce you to the Jungle Crawler, a giant centipede. Will it's pincers slice through your players armor, or will it's venomous tail inject it's death into them? Perhaps their incessant chittering drive your players mad as these things invade their camp in the night?

Here is is The Jungle Crawler in a toughened and minion variety, may they strike terror into your players.

I am also include a couple of tokens that you should be able to resize and use in your favorite VTT. Tokens created with Token Tool 2.0!

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Friday, January 11, 2019

Friday's Forgotten Fiends: The Gibbering Darkness

Today I want to revisit a creature I came up awhile ago. The concept of this thing was a creature that would assail PCs in Conan 2d20 and cause a wound to a Character. Why would you do such a thing? Sometimes drama and tension can be increased when the PCs feel threatened and there are times when they simply don't in Conan because of how competent that they can be. A mob of these attacking in the deep ruins will generally use it's point of doom to attack first and most likely injure someone before being vanquished. I wouldn't recommend using something like this all the time, but everything in your toolbox has it's place.

The Gibbering Darkness

In the deep ruins of time immemorial there are places, rifts to some black place, where darkness seeps into our world as formless shapes, seeking the life energy of our existence like a wild predator seeks its prey.

The Gibbering Darkness is darkness made manifest, shifting shadows on the wall. Dark places in the corner of your eye. As easily as the dark is vanquished these creatures can be returned from which they came. Do not forget that like the darkness these hide things that are both physically and mentally deadly.

Many an naive adventurer has been reduced to lifeless husk, or worse a mindless husk, as unsuspecting they walked into a forgotten place and were assaulted by the dark mindless gibbering of these things.

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Thursday, December 20, 2018

Forgotten Creatures: The Dire Wolf.

The Dire Wolf

The dire wolf (Canis dirus, "fearsome dog") is an extinct species of the genus Canis. It is one of the most famous prehistoric carnivores in North America, along with its extinct competitor, the sabre-toothed cat Smilodon fatalis. The dire wolf lived in the Americas during the Late Pleistocene and Early Holocene epochs (125,000–9,440 years ago). The species was named in 1858, four years after the first specimen had been found. Two subspecies are recognized, these being Canis dirus guildayi and Canis dirus dirus. The dire wolf probably evolved from Armbruster's wolf (Canis armbrusteri) in North America. The largest collection of its fossils has been obtained from the Rancho La Brea Tar Pits in Los Angeles.

Wikipedia contributors. (2018, December 8). Dire wolf. In Wikipedia, The Free Encyclopedia. Retrieved 16:56, December 20, 2018, from https://en.wikipedia.org/w/index.php?title=Dire_wolf&oldid=872741641

We often see creatures taken out of time to populate the Hyborian Age. In Red Nails the dragon Conan defeats is described more like a dinosaur than the modern concept of a dragon. The core rulebook for the new 2d20 lists the Sabre-tooth cat, while the new release, "Horrors of the Hyborian Age", list creatures like cave bears and dire rhinoceros.

In actuality the size of the dire wolf and a regular wolf isn't that great, but this is the Hyborian age, so I think they should be scaled up to match the time.

Actual comparison of average sizes
Hyborian Age Sized

Canis Dirus (‬dire Wolf‭) Darren Pepper

So I give to you my take on the dire wolf. A giant version of the wolves found within the pages of 2d20. This version is tougher, and can deal more damage than it's smaller cousins. It is simply more bad ass. Perhaps packs of these roam the frozen north of Nordheim or the vast steppe of Hyrkania. Either way a pack of these stalking your players should be enough to give them quite a challenge. I have included two versions of the dire wolf, a toughened version and the Alpha Dire Wolf.

I'll make note that I haven't had time to actually play test these yet, as I am building them for an upcoming adventure. If you do use them I would love to get feedback from how they worked out at your table. As always I love hearing from everyone, so if you have any feedback please drop me a note!

Until Next Time. Keep it Weird!

Friday, August 10, 2018

Modern Age: Making a Character.

Now that we've had a quick look at the print edition of Modern Age, I thought I would go a little more in depth into various parts of the rulebook. Starting off this series: Characters.

Without characters the players would have no real ability to interact with the world and without that our story is going to suffer. It makes sense to start our look at these rules with character generation.

As most RPGs characters are defined by a list of attributes: Strength, Dexterity, Wisdom, Intelligence, Constitution and Charisma....No wait that's D&D, a game I haven't really played in close to 25 years. Although I admit to a few pathfinder sessions. It's funny to me that I can still recall the attributes from that game. These are of course NOT the attributes used in Modern Age. Modern Age uses the following attributes to define a character

  • Accuracy - Aim, precision, ability to use ranged weapons.
  • Communication - Social skills, personal interactions.
  • Constitution - Health and fortitude.
  • Dexterity - Hand-eye coordination, reaction time.
  • Fighting - Close combat/melee weapons.
  • Intelligence - Reasoning, memory, problem solving.
  • Perception - Ability to use the characters senses, how observant they are.
  • Strength - How strong the character is.
  • Willpower - Self control, discipline.

BUT before we get around to generating your alter-egos physical and mental abilities lets do one thing first, which is actually listed as step 1 of character creation in the rule book. The first thing we need is a basic concept. Having an idea of the campaign you are going to play in will be an important thing to know. If your adventures are set in the south American jungle, choosing a street wise private eye is probably not your best choice.

Knowing the group is going to play a group trying to rid the city of crime in a gritty 70s/80s type cop show, we will choose that street wise private investigator as our basic idea for our character.

Now that we have our basic idea we can determine our stats. The base method of determining this is to roll 3d6 in order and consult a table. This will generate a stat from -2 to 4. It also include the ability to swap any two rolls to more closely meet the character as he or she develops. They include two other methods, one is random and one is a point build system. I am in favor of point build systems in a lot of cases. I like the idea of allowing a player to build the character they like and want to play.

Using the standard method of rolling 3d6 in order we come up with the following for stats.
  • Accuracy - 2
  • Communication - 0
  • Constitution - 2
  • Dexterity - 3
  • Fighting - 0
  • Intelligence - 1
  • Perception - 2
  • Strength - 2
  • Willpower - 2

Once we have the attributes figured out we figure out our characters social class, background. These are a few simple rolls or choices and will give the character a random bonus as well as an increase to an attribute, a focus and a talent.

My rolls for my class and background roll out as follows....
Social class: Outsider
Background: Bohemian
Background Bonus: Acrobatics

Bohemian grants +1 Communication, One of two different focuses, keeping our character in mind we will choose Communication (Performance) and one of two talents. We will again choose Performance. Our roll of Acrobatics grants us that as a focus.
  • Communication - 1, Performance
  • Dexterity - 3, Acrobatics
Talents: Performance.

The next step we are going to complete is the characters profession. Again it is a simple roll or a choice. The profession will give you another focus and another talent as well as the characters base health and resource score.

For a profession we roll Survivalist.
This grants us another focus. We will choose Accuracy (Pistols)
And another Talent. We choose Tactical Awareness.
Our base health, as this is a physical profession is 20+Con, or 22.
  • Accuracy - 2, Pistols
Talents: Performance, Tactical Awareness.

Once we have our abilities, background, social class and profession we need to determine what drives the character. As the rest of the steps this is a pretty simple set of rolls and will give you a description of the things that drive your character as well as a quality and a downfall. You will also gain a new Talent and the ability to improve something, from a list of 3 things.

Our characters drive is Builder. You are someone who wants to create something lasting. A foundation, community etc. How you get it? That is less important.
We again get another Talent and we will choose "Maker".
We also get an improvement. Right now our Resource score is 0, so we will move that to 2
At this time now that we have a better understanding of our character we can swap out two abilities, but I think ours are looking ok, so we will leave them as is.
  • Resources - 2
Talents: Performance, Tactical Awareness, Maker.

Equipment in the game is a basic set of starting equipment your character might actually have. Is she a PI? She might have a low budget office, cell and computer. Maybe a pistol. The game lists starting equipment as clothing, equipment and weapons in line with the character. It is in general a pretty open thing that will need to be discussed with the GM. Money in this game is handled in a very abstract way, so you won't be buying 50 feet of rope and deducting 10gp from your character sheet.

A basic set of equipment that fits our character and current abilities.
Equipment: Basic simple clothing and tie. Pistol. Cell phone. Older cool car.

We have a few more stats to figure out which are just simple derived stats based on a base + ability. ie Health is determined by your profession and now we learn your health is that base + your characters Con. We determine health, defense, toughness and speed this way.

Our final derived stats look like this:
  • Health - 22
  • Defense - 13
  • Toughness - 2
  • Speed - 13

The penultimate step in character creation is a little more abstract. Determining a few goals as well as relationships and strengths of those relationships. Did someone save your life? Would you take a bullet for someone? Does someone have to die? The number of these is determined by your characters communication skill.

  • Goals: He's seen too much crime in his life. All he wants to do is to take down as many bad guys as possible.
  • Goals: Form a group of men and women that can act outside the law to take down criminals and others.
  • Relationships: Close relationship with a detective on the police force.
  • Ties: This will be some ideas about how this character knows the other PCs in his group.

Finally name and describe your character. Figure out who he or she is exactly. Once that is complete you have your first character for Modern Age.

Name: Jim
Height: 5'11"
Weight: 189lbs
Age: 31

And finally the completed character. Overall I found the system easy to learn and follow along with. I hope you have a better understanding of how a build might look.

Name: Jim
Height: 5'11"
Weight: 189lbs
Age: 31
Early middle age, shabby clothing,
dark slightly curly hair.
  • Health - 22
  • Defense - 13
  • Toughness - 2
  • Speed - 13
  • Accuracy - 2, Pistols
  • Communication - 1, Performance
  • Constitution - 2
  • Dexterity - 3, Acrobatics
  • Fighting - 0
  • Intelligence - 1
  • Perception - 2
  • Strength - 2
  • Willpower - 2
Resources: 2
Clothing, tie
Cell phone.
Older cool car.
Talents: Performance, Tactical Awareness, Maker.
  • Goals: He's seen too much crime in his life. All he wants to do is to take down as many bad guys as possible.
  • Goals: Form a group of men and women that can act outside the law to take down criminals and others.
  • Relationships: Close relationship with a detective on the police force.
  • Ties: This will be some ideas about how this character knows the other PCs in his group.
WeaponAttack BonusDamageROF/RNG/CAP/RELOAD
SA Handgun+42d6 -B-W-SA/55yrd/5 cap/minor